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Lawrence Brownlee and his guests

Bel canto aria evening

Gioachino Rossini: William Tell – ouverture
Gioachino Rossini: La Cenerentola (Cinderella) – Sì, ritrovarla io giuro (Ramiro's aria from Act 2)
Gioachino Rossini: The Barber of Seville – Largo Al Factotum (Figaro's entrance from Act I)
Gioachino Rossini: Semiramide – Bel raggio lusinghier (Semiramide's aria from Act 1)
Vincenzo Bellini: Norma – ouverture
Vincenzo Bellini: I Puritani (The Puritans) – A te o cara (Arturo's aria from Act 1)
Gaetano Donizetti: Lucia di Lammermoor – Cruda funesta smania (Enrico's aria from Act 1)
Gaetano Donizetti: L'Ange de Nisida (The Angel of Nisida) – Je ne veux rien garder… Venez! Qui vous arrête? (Sylvia's aria from Act 3)
Gioachino Rossini: La gazza ladra (The Thieving Magpie) – overture
Gioachino Rossini: La donna del lago (The Lady of the Lake) – Cielo! In qual estasi (Elena and Uberto's duet from Act 1)
Gaetano Donizetti: Don Pasquale – Bella siccome angelo (Malatesta's aria from Act 1)
Gaetano Donizetti: La favorite (La Favorita) – Ange si pur (Fernand's aria from Act 4)
Gioachino Rossini: L’italiana in Algeri (The Italian woman in Algiers) – overture
Vincenzo Bellini: I Puritani (The Puritans) – Ah! Per sempre io ti perdei (Riccardo's aria from Act 1)
Gioachino Rossini: La donna del lago (The Lady of the Lake) – Tanti affetti (Elena's aria from Act 2)
Gaetano Donizetti: La fille du régiment (The Daughter of the Regiment) – Ah! mes amis…pour mon âme (Tonio's aria from Act 1)

Lidia Fridman – soprano
Lawrence Brownlee – tenor
Gyungmin Gwon – baritone
Éva Lax – Hungarian surtitles

Conducted by: Nikolas Nägele

Ticket prices: 17900,13500, 10500, 7500, 4900 Ft
Ticket purchase

Bel canto - beautiful singing. An independent era and an independent school within the opera literature. But when is singing not beautiful, if the melody is nobly shaped, and the performer's voice and training are both excellent? This was not enough to satisfy the ideal of bel canto: at the turn of the 18th and 19th centuries, during the first wave of the Romantic movement, it was a cult surrounding the brilliant performance of richly crafted vocal parts, and the composers of operas often considered the experience of beautiful singing to be more important than even the presentation of dramatic conflict. Giving us a taste of this special treat at this concert will be three internationally successful artists.

From Müpa.

For more informations please click here!

Coopruduction of MÜPA and Pannon Philharmonic Orchestra.




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